A clear setting of emblematic objects determines and limits the space: a black flag on the floor on which lies a sword, an Arabic teapot filled with salt, an incense stick holder, two bull heads. On the wall a red flag.
In this performance installation performing artists Gustavo Gomes gradually expands in space and time during his 4-hour performance. His instruments are not only the objects but his body itself. Inspired by the gestures and facial expressions of dictators, he shows strength, power, leadership, he aims, threatens, accuses and does not ignore what he is: a white man. A white man who spreads, oppresses, marks his territory and elevates his vision of right and wrong to the norm.
Inspired by the first forms of fascism under Benito Mussolini in northern Italy and also by Pier Paolo Pasolini's feature film Salo or the 120 Days of Sodom, the Brazilian dancer Gustavo Gomes embarks on an artistic examination of past as well as current social issues. Who is privileged in our society? How do we encounter minorities? What's the fear behind homophobia? How do we deal with oppression and threat? Why can religion be used as a justification for violence? How does power, admiration and followers arise? What remains of a culture after decades of colonial rule?
Music by Gustavo Gomes and Rosa Wernecke
Premiere on the 30th of March 2019
Duration: 240 Minutes
Part of the Lange Nacht der Theater, presented by Hellerau- Europaisches Zentrum der Kuenste and Dresden Frankfurt Dance Company- Jacopo Godani
Film by Julian Nicosia
Text by Josefine Sautier